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Hasson’s balance of tough-girl exterior and inner fragility is exceptional. It’s a multi-episode process that’s almost always in the foreground as Henry faces the constant presence of her attacker suffers self-doubt as her story is questioned and shies away from other intimacies in her life, already a problem for the new girl in school and for one of those sci-fi characters whose burgeoning adolescence and nascent powers are intermingled. What the show does best is deal with consent and the lingering trauma a sexual assault can cause a victim.
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IMPULSE SEASON 1 RECAP SERIES
Impulse showrunner Lauren LeFranc is admirably determined not to let the series fall into that second category. Using the sexual assault of a young protagonist as a character catalyst can be effective and fertile instigation for drama - see Veronica Mars or Jessica Jones - but it can also be exploitive when ramifications and emotional scarring are ignored to push the narrative forward. Before she knows what happened, Henry is back in the safety of her bedroom and Clay’s life is changed forever. That’s nothing, though, compared to what happens when basketball star Clay (Tanner Stine) ignores Henry’s boundaries and vocal protestations after some initially benign making-out. Henry’s latest home is somewhere in upstate New York and comes with a popular, dismissive new pseudo stepsister (Sarah Desjardins) and the challenges of being unable to drive due to several recent and unexplained seizures.Ī conflict with a teacher in class leads to Henry’s latest seizure and to attention from Townes (Daniel Maslany), who’s on the autism spectrum and a bit of an outcast himself, when he notices that Henry’s condition also causes objects around her to move. Hasson plays Henrietta “Henry” Coles, a vagabond teen who struggles to make friends and connections because her mother (Missi Pyle) keeps moving from one boyfriend and town to the next. Why 'Impulse' Star Maddie Hasson Was a Casting "Risk" for YouTube and Doug Liman